Still Wild About Harry
When I was a young adult (early 70s) I became a big fan of
Harry Chapin. I think he’s absolutely the best singer songwriter ever. He was born
on this day, December 7, 1942. If he’d lived, he would be 80 years old today.
His hits, Taxi and WOLD, drew me to his albums. The first
one I purchased was his third released, Verities and Balderdash. All his songs
tell a story and even though almost all are sad, they are so realistic. I connected quickly with the lyrics. The
stories were of ordinary people living ordinary lives. I related well to them.
From that album, I really connected with “What Made America
Famous”. It still resonates with me today. Back then, there was still residual
unrest and protests between liberals (like hippies) and conservatives (older
generations). The song is about a small town with the usual businesses and fire
station. There’s also a run-down decrepit building run by a slumlord and housed
people of color and hippies. The hippies
were in constant conflict with the police and “the establishment”.
I remembered all I’d learned about racial and social injustice
from independent reading and understood where the hippies came from. However, I
didn’t agree with their tactics. They painted a swastika on the firehouse door,
and I thought that was the wrong thing to do. It inspired possible retaliatory
revenge in that a fire broke out in that overcrowded unsafe building.
The fire went out of control. People on the upper floors crawled out their
windows and onto the outside ledges. One
of the lines goes “me and my girl and a couple of kids were clinging like bats
to the edge.” The town plumber
was a volunteer fireman and he rushed to the station with the others, crying
out “Come on, let’s go!” But the other volunteers saw the building that was
burning, remembered the swastika incident, and told the plumber they didn’t
need to rush.
The plumber, though, jumped into the fire truck and went by
himself to rescue the people on the ledge. He raised the ladder so that the
residents, hippies, and all, could climb down to safety. The last lyrics went like this:
I never thought that a fat
man's face
Would ever look so sweet
I shook his hand in the scene
that made America famous
And a smile from the heart that made America great
We spent the rest of that night in the home of this man
That we'd never known before
It's funny when you get that close, it's kind of hard to hate
I went to sleep with the hope
that made America famous
I had the kind of a dream that maybe they're still trying to teach in school
Of the America that made America famous...
And of the people who just might understand
That how together yes we can
Create a country better than
The one we have made of this land
We have the choice to make each man
Who dares to dream, reaching out his hand
A prophet or just a crazy, damn dreamer of a fool Yes a crazy fool
And something burnin'
somewhere
Does anybody care?
Is anybody there?
Is anybody there?
So, wow. I thought to
myself: even though I mostly side with the hippies, I want to be like that
plumber. His was an act of humanity and
it didn’t matter that he was saving disruptive hippies and people of
color. I want to be like him. I try to
be like him.
That’s just one of Harry Chapin’s songs that resonates with
me. Almost every one of them has meaning to me. The one I identify with most
nowadays is called “Dreams Go By”. It begins with two teenagers dreaming about
what they want to be. They marry and don’t follow their dreams because they’re
busy with building their lives and having children. Now they are older, retired and enjoying
visits with their grandchildren. Yes, their
dreams went by the wayside and that’s sad, but they are happily married and
content with their lives.
Harry Chapin came from a musical family. When he performed,
two of his brothers joined him and other band members became close
friends. Their anthem was called “Circle”.
In addition to being a storyteller singer, Harry was a huge
humanitarian. He founded Long Island Cares which provides food and necessities
to people in need. The Harry Foundation expands to partner with other
organizations to help fight hunger. He said, “When in doubt, do something.” He
did a lot of
somethings. A third to half of his concerts’ profits went to charities.
Harry Chapin was scheduled to perform a benefit concert at
Eisenhower Park in East Meadow on July 16, 1981. At that time, I was sharing an
apartment with my cousin Anne. We’d discussed going to the concert if we could.
Traffic could be very heavy on Long Island and East Meadow was about an hour
away from our apartment.
I’d finished working as an interpreter for a deaf client
attending a vocational technical school around 3 p.m. and was driving home on the
Northern Parkway when the music was interrupted to announce that Harry Chapin
had been killed in an accident on the Long Island Expressway. I nearly went off
the road. The news triggered a panic attack and I had to pull off the parkway
to calm myself. I thought no no no no, it can’t be. Not Harry.
But it was true. Details were never clear. Did he have a
medical emergency? Whatever the reason he began slowing down and changing
lanes, he collided with a big truck and ran off the expressway. His little car
burst into flames and good Samaritans who stopped to help pulled him from the
car. He was unconscious. A helicopter flew him to the hospital where he was
pronounced dead.
In 1987, he was posthumously awarded a Congressional Gold
Medal for his philanthropic work. His widow, Sandy Chapin, has taken charge of
the Harry Chapin Foundation. He
co-founded Why Hunger and that work continues today too.
I loved his music and what he stood for.
I still miss him.
Except for during the Christmas season, I listen to some of
his music every day.